Nikon's original key technology
16.2 megapixel resolution and full-frame FX format: a perfect balance [NEW]
Seeking to offer uncompromised performance in both video and still photography, the D4 is a brand new camera fitted with a new 16.2-megapixel FX-format sensor of unprecedented speed, size, resolution and sensitivity. Despite a 33% increase in effective pixels over its predecessor, the D3S, the D4 delivers and processes data faster than any Nikon camera before it, providing photographers with up to 11-fps performance in FX format. Close examination of a D4 image reveals 16.2 megapixels of stunning depth and detail that ensure flexibility in post-production, from magazine-quality prints to web publishing. Image quality this versatile is a direct result of Nikon's sophisticated approach to sensor design. The internal design of the sensor is carefully engineered to collect the maximum amount of light and render the highest possible image quality in the most diverse and difficult lighting conditions. At high ISO sensitivities, incredibly clear, smoothly graded results are maintained thanks to an optimized noise-reduction design and 14-bit A/D conversion incorporated within the sensor. Unique to Nikon, the D4 expands your still image shooting possibilities with four image area options: FX format (36.0 x 23.9 mm), 5:4 crop (29.9 x 23.9 mm), 1.2x crop (29.9 x 19.9 mm) and DX format (23.4 x 15.5 mm). The camera also offers three image area options for Full HD video thereby tripling its potential for moviemaking. All these creative options are supported by a vast array of NIKKOR FX and DX lenses.
Standard ISO 100 to 12800, expandable from ISO 50 to ISO 204800 equivalent
Nikon flagship digital SLRs have long been recognized by professionals for their clean performance at high sensitivity settings, and the new 16.2-megapixel D4 offers low-noise performance at ISO 12800. It also extends the range one EV further, compared with that of the D3S, making ISO 100 standard; a welcome addition that allows the use of slow shutter speeds in bright sunlight. For more challenging conditions, equivalent sensitivities of ISO 50 and ISO 204800 are also available. The D4 is confidently capable of shooting still images and video* in nearly any light – even in places where the human eye has difficulty in recognizing details. Photographers are able to work in the harsh glare of the midday sun and the low-key light of dawn, and can capture images in the soft shadows of a dimly lit interior or a moonlit forest at midnight. In these situations, the camera's superb ISO sensitivity range offers photographers great flexibility in their approach to the subject matter.
- *D-Movie standard ISO sensitivity from ISO 200 to ISO 12800, with higher sensitivity options up to Hi 4.
- ISO 100
- ISO 200
- ISO 400
- ISO 800
- ISO 1600
- ISO 3200
- ISO 6400
- ISO 12800
Optimum use of light: Nikon's proprietary image sensor technology
Such exceptional image integrity across such a wide ISO sensitivity range is made possible through Nikon's proprietary and exclusive sensor technologies. The pixels are spaced at a pitch of 7.3 µm while gapless micro-lenses are employed, and anti-reflective coating is used on various parts – all of which results in minimized ghost and flare. This detailed design gives the D4 an unprecedented ability to channel all available light efficiently and directly into the sensor. The advantage is maintained through improved sensor quantum efficiency, ensuring optimum conversion of light into electric signals, and delivering digital files at ISO 100 to 12800 with a wide dynamic range and an outstanding signal-to-noise ratio. The benefit of a high-efficiency sensor is enhanced by an integrated approach to noise reduction. The layout of electronics within the sensor has been carefully configured to minimize noise. Despite operating at the amazing speed required to realize approx. 11 fps, the D4's image sensor consumes less power, contributing to extended battery life.
Nikon's Integrated Dust Reduction System with Image Sensor Cleaning function
Any dust that reaches the image sensor results in unattractive spots on your images. To prevent this, the D4 employs Nikon's Integrated Dust Reduction System, which includes a self-cleaning sensor unit with four different resonance frequencies to vibrate the optical low-pass filter and shake dust away from the sensor. This function can be set to operate automatically when the camera is turned on or off, or to manual.
EXPEED 3: fast, intelligent and powerful 16-bit image processing [NEW]
The EXPEED 3 is the latest embodiment of Nikon imaging expertise in miniature, a sophisticated system that is designed to analyze and process images at blindingly fast speeds with uncompromised precision. The EXPEED 3 imaging-processing engine, optimized for D-SLRs, delivers faithful, well-saturated color, natural depth and subtle, nuanced tones from pitch black all the way to snow white. In dim lighting at high ISO settings, the camera's intelligent noise reduction lowers noise without degrading image sharpness. High-speed 16-bit image processing delivers smooth gradation with abundant tone and detail that can be applied to image integrity for a diverse range of uses. Even JPEGs straight out of the camera maintain the accuracy required when directly submiting to a magazine, newspaper or web publication. The EXPEED 3 has been optimized for video as well. Movie is rendered with suppressed moiré, reduced false colors and minimized "jaggies". Noise reduction technology specifically designed for video preserves clarity and sharp edges – even in low light. The powerful EXPEED 3 is fast, accurate and exceptionally energy efficient, prolonging the camera's ability to endure extended assignments.
Edge-to-edge sharpness: lateral chromatic aberration reduction
High-megapixel sensors can really test the quality of a lens, but the combination of brilliant NIKKOR lenses and Nikon's intelligent processing measures will significantly reduce the risk of lateral chromatic aberration, or color fringing, to give you incredibly natural-looking results. Unlike other correction methods that simply eliminate chromatic aberration, Nikon's method compensates for these color differences in a resolving index for each color, making it particularly effective in producing images with stunning edge-to-edge sharpness. Moreover, because these corrections are made regardless of the NIKKOR lens used, this feature contributes substantially to the sharpest images possible.
A new level of accuracy in auto operation with a 91K-pixel RGB sensor [NEW]
With Nikon's original Advanced Scene Recognition System, the D4 achieves new standards of accurate autofocus, auto exposure, i-TTL flash, Active D-Lighting and auto white balance results. At the heart of the system is a precise RGB sensor that meticulously reads each scene via 91K-pixels. With unprecedented precision, the data that has been collected pixel-by-pixel is then used to meter and analyze the scene's color information and brightness levels. The system also recognizes human faces when shooting with the optical viewfinder. This rigorously analyzed pixel data then automatically triggers a variety of in-camera controls that help the image files appear more natural and appealing. Advanced Scene Recognition System delivers incredibly high accuracy for various auto controls by flawlessly calculating vast amounts of scene information – even at up to 10 frames per second.
The Advanced Scene Recognition System
Accurate subject detection: application for AF
First introduced in the legendary D3 camera series, Nikon's auto-area AF and 3D-tracking are AF-area modes that use the color and brightness information from the subject to determine correct focus. The D4 is equipped with the latest subject recognition algorithms for both AF-area modes, which can be advantageous when taking high-quality still images. In auto-area AF mode, the camera can accurately recognize and target focus on human faces – useful when faces are a priority and time to choose the focus point is not available. It focuses on a subject's body when the face is out of the AF area. In 3D-tracking mode, the 91K-pixel RGB sensor's high-precision data combines with a specifically optimized AF algorithm that recognizes detailed patterns in order to realize exceptional subject-tracking precision.
3D color matrix metering III: application for AE
Thanks to the 91K-pixel RGB sensor, the D4 has incredibly detailed scene information at its disposal – including data on prominent human faces in the viewfinder. This data helps Nikon's 3D color matrix metering III to deliver more desirable auto exposures, especially when there are human faces present. In situations where exposure compensation is required, such as a dark face against a bright background or conversely, a bright face against a dark background, the D4 can now determine exposure balanced with the background considering the size of the face relative to a frame and its brightness. Accurate metering is possible in low-lit scenes as low as -1 EV with 3D color matrix metering III and center-weighted metering.
Application for i-TTL balanced fill-flash and Active D-Lighting
With the D4's enhanced i-TTL balanced fill-flash paired to either a hot shoe or wired Nikon Speedlight(s), human faces can be illuminated in relation to their surroundings with outstanding precision. Moreover, face detection, when paired with Active D-Lighting, delivers images that retain highlights and shadows in high-contrast scenarios, making faces look as they are seen, whether in sunlight or shade.
Auto white balance
Incorporating years of research into ambient lighting, the unique Nikon auto white balance technologies in the D4 are capable of identifying and compensating for a broad range of artificial and natural light sources. Using data from the image sensor and 91K-pixel RGB sensor, the camera can automatically render white as white with supreme accuracy, or can incorporate the warmth of ambient, incandescent lighting as required.
Contribution to D-Movie shooting
The D4's Advanced Scene Recognition System enhances not only still image shooting but also various controls used in movie shooting. It identifies light sources and human faces finely, utilizing the high resolution of the image sensor to deliver accurate auto white balance and exposure control during movie shooting, and improves the precision of subject-tracking AF.
Nikon Digital SLR Camera D4 Specifications
Type
| |
|---|---|
Type
|
Single-lens reflex digital camera
|
Lens mount
|
Nikon F mount (with AF coupling and AF contacts)
|
Effective pixels
| |
Effective pixels
|
16.2 million
|
Image sensor
| |
Image sensor
|
36.0 x 23.9 mm CMOS sensor (Nikon FX format)
|
Total pixels
|
16.6 million
|
Dust-reduction system
|
Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software)
|
Storage
| |
Image size (pixels)
|
|
File format
|
|
Picture Control System
|
Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls
|
Media
|
XQD and Type I CompactFlash memory cards (UDMA compliant)
|
Dual card slots
|
Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards
|
File system
|
DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge
|
Viewfinder
| |
Viewfinder
|
Eye-level pentaprism single-lens reflex viewfinder
|
Frame coverage
|
|
Magnification
|
Approx. 0.7x (50 mm f/1.4 lens at infinity, -1.0 m-1)
|
Eyepoint
|
18 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)
|
Diopter adjustment
|
-3 to +1 m-1
|
Focusing screen
|
Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid
|
Reflex mirror
|
Quick return
|
Depth-of-field preview
|
When Pv button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes)
|
Lens aperture
|
Instant return, electronically controlled
|
Lens
| |
Compatible lenses
|
Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC-NIKKOR lenses), DX lenses [using DX (24x16) image area], AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only); IX-NIKKOR lenses, lenses for the F3AF, and non-AI lenses cannot be used
The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster (the electronic rangefinder supports the 11 focus points with lenses that have a maximum aperture of f/8 or faster) |
Shutter
| |
Type
|
Electronically-controlled vertical-travel focal-plane shutter
|
Speed
|
1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV, bulb, X250
|
Flash sync speed
|
X=1/250 s; synchronizes with shutter at 1/250 s or slower
|
Release
| |
Release modes
|
S (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release),
 (self-timer), MUP (mirror up) |
Frame advance rate
|
Up to approx. 10 fps (CL) or approx. 10 to 11 fps (CH)
|
Self-timer
|
2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2 or 3 s
|
Exposure
| |
Metering
|
TTL exposure metering using RGB sensor with approx. 91K (91,000) pixels
|
Metering method
|
|
Range
(ISO 100, f/1.4 lens, 20°C/68°F) |
|
Exposure meter coupling
|
Combined CPU and AI
|
Exposure modes
|
Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M)
|
Exposure compensation
|
-5 to +5 EV in increments of 1/3, 1/2 or 1 EV
|
Exposure bracketing
|
2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV
|
Exposure lock
|
Luminosity locked at detected value with the center of the sub-selector
|
ISO sensitivity
(Recommended Exposure Index) |
ISO 100 to 12800 in steps of 1/3, 1/2 or 1 EV; can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, 2, 3 or 4 EV (ISO 204800 equivalent) above ISO 12800; auto ISO sensitivity control available
|
Active D-Lighting
|
Can be selected from auto, extra high +2/+1, high, normal, low or off
|
ADL bracketing
|
2 frames using selected value for one frame or 3 to 5 frames using preset values for all frames
|
Focus
| |
Autofocus
|
Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors; f/8 supported by 11 sensors)
|
Detection range
|
-2 to +19 EV (ISO 100, 20°C/68°F)
|
Lens servo
|
|
Focus point
|
Can be selected from 51 or 11 focus points
|
AF-area modes
|
Single-point AF, 9-, 21- or 51-point dynamic-area AF, 3D-tracking, auto-area AF
|
Focus lock
|
Focus can be locked by pressing shutter-release button halfway (single-servo autofocus) or by pressing the center of the sub-selector
|
Flash
| |
Flash control
|
TTL: i-TTL flash control using RGB sensor with approx. 91K (91,000) pixels is available with SB-910, SB-900, SB-800, SB-700, SB-600 or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering
|
Flash modes
|
Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; auto FP high-speed sync supported
|
Flash compensation
|
-3 to +1 EV in increments of 1/3, 1/2 or 1 EV
|
Flash bracketing
|
2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV
|
Flash-ready indicator
|
Lights when optional flash unit is fully charged; flashes after flash is fired at full output
|
Accessory shoe
|
ISO 518 hot-shoe with sync and data contacts and safety lock
|
Nikon Creative Lighting
System (CLS) |
Advanced Wireless Lighting supported with SB-910, SB-900, SB-800 or SB-700 as a master flash, and SB-600 or SB-R200 as remotes, or SU-800 as commander; auto FP high-speed sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units
|
Sync terminal
|
ISO 519 sync terminal with locking thread
|
White balance
| |
White balance
|
Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2,500 K to 10,000 K); all with fine-tuning
|
White balance bracketing
|
2 to 9 frames in steps of 1, 2 or 3
|
Live View
| |
Modes
|
Live view photography (quiet or silent), movie live view
|
Lens servo
|
|
AF-area modes
|
Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF
|
Autofocus
|
Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected)
|
Movie
| |
Metering
|
TTL exposure metering using main image sensor
|
Frame size (pixels)
and frame rate |
|
File format
|
MOV
|
Video compression
|
H.264/MPEG-4 Advanced Video Coding
|
Audio recording format
|
Linear PCM
|
Audio recording device
|
Built-in monaural or external stereo microphone; sensitivity adjustable
|
ISO sensitivity
|
Automatically adjusted in the range ISO 200 to 12800 or ISO 200 to Hi 4
|
Maximum length
|
29 min. 59 s (20 min. depending on frame size/rate and movie quality settings)
|
Other options
|
Index marking, time-lapse photography
|
Monitor
| |
Monitor
|
8-cm (3.2-in.), approx. 921k-dot (VGA) TFT LCD with 170°viewing angle, approx. 100% frame coverage, and automatic monitor brightness control using ambient brightness sensor
|
Playback
| |
Playback
|
Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, GPS data display, auto image rotation, voice memo input and playback, and IPTC information embedding and display
|
Interface
| |
USB
|
Hi-Speed USB
|
HDMI output
|
Type C mini-pin HDMI connector; can be used simultaneously with camera monitor
|
Audio input
|
Stereo mini-pin jack (3.5-mm diameter; plug-in power supported)
|
Audio output
|
Stereo mini-pin jack (3.5-mm diameter)
|
10-pin remote terminal
|
Can be used to connect optional remote control, GPS Unit GP-1 or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional GPS Adapter Cord MC-35 and cable with D-sub 9-pin connector)
|
Ethernet
|
RJ-45 connector
|
Peripheral connector
|
For Wireless Transmitter WT-5A/B/C/D
|
Supported languages
| |
Supported languages
|
Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian
|
Power source
| |
Battery
|
One Rechargeable Li-ion Battery EN-EL18
|
AC adapter
|
AC Adapter EH-6b; requires Power Connector EP-6 (available separately)
|
Tripod socket
| |
Tripod socket
|
1/4 in. (ISO 1222)
|
Dimensions / weight
| |
Dimensions
(W x H x D) |
Approx. 160 x 156.5 x 90.5 mm/6.3 x 6.2 x 3.6 in.
|
Weight
|
Approx. 1,340 g/2 lb 15.3 oz with battery and XQD memory card but without body cap and accessory shoe cover; approx. 1,180 g/2 lb 9.6 oz (camera body only)
|
Operating environment
| |
Operating environment
|
Temperature: 0 to 40°C/32 to 104°F; humidity: less than 85% (no condensation)
|
Accessories
| |
Supplied accessories
(may differ by country or area) |
Rechargeable Li-ion Battery EN-EL18, Battery Charger MH-26, USB Cable UC-E15, Camera Strap AN-DC7, Body Cap BF-1B, Accessory Shoe Cover BS-2, Eyepiece DK-17, Battery Chamber Cover BL-6, USB Cable Clip, ViewNX 2 CD-ROM
|
- XQD is a trademark of SONY Corporation.
- iPhone is a trademark of Apple Inc., registered in the U.S. and other countries.
- PictBridge is a trademark.
- CompactFlash is a registered trademark of SanDisk Corporation.
- HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing, LLC.
- Products and brand names are trademarks or registered trademarks of their respective companies.
- Images in viewfinders, on LCDs and monitors shown in this site are simulated.
- All images and movies were shot with the D4.
Memory card capacity
The following table shows the approximate number of pictures that can be stored on a SONY XQD Memory Card H series QD-H32 (32 GB) at different image quality, image size, and image area settings.
FX (36 x 24) image area*
Image quality
|
Image size
|
File size1
|
No. of images1
|
Buffer capacity2
|
|---|---|---|---|---|
NEF (RAW), Lossless compressed, 12-bit
|
-
|
15.4 MB
|
1100
|
92
|
NEF (RAW), Lossless compressed, 14-bit
|
-
|
19.4 MB
|
872
|
75
|
NEF (RAW), Compressed, 12-bit
|
-
|
13.9 MB
|
1500
|
98
|
NEF (RAW), Compressed, 14-bit
|
-
|
17.0 MB
|
1200
|
76
|
NEF (RAW), Uncompressed, 12-bit
|
-
|
26.5 MB
|
1100
|
77
|
NEF (RAW), Uncompressed, 14-bit
|
-
|
34.3 MB
|
872
|
69
|
TIFF (RGB)
|
Large
Medium Small |
49.1 MB
28.3 MB 13.2 MB |
612
1000 2200 |
55
59 66 |
JPEG fine3
|
Large
Medium Small |
7.9 MB
5.4 MB 3.0 MB |
2900
4600 8500 |
170
200 200 |
JPEG normal3
|
Large
Medium Small |
4.5 MB
2.8 MB 1.6 MB |
5600
9000 15700 |
182
200 200 |
JPEG basic3
|
Large
Medium Small |
2.2 MB
1.5 MB 0.9 MB |
10800
16800 27100 |
200
200 200 |
- *Includes images taken with non-DX lenses when On is selected for Auto DX crop.
DX (24 x 16) image area*
Image quality
|
Image size
|
File size1
|
No. of images1
|
Buffer capacity2
|
|---|---|---|---|---|
NEF (RAW), Lossless compressed, 12-bit
|
-
|
7.2 MB
|
2400
|
200
|
NEF (RAW), Lossless compressed, 14-bit
|
-
|
8.9 MB
|
1900
|
172
|
NEF (RAW), Compressed, 12-bit
|
-
|
6.6 MB
|
3200
|
200
|
NEF (RAW), Compressed, 14-bit
|
-
|
7.9 MB
|
2700
|
196
|
NEF (RAW), Uncompressed, 12-bit
|
-
|
12.0 MB
|
2400
|
133
|
NEF (RAW), Uncompressed, 14-bit
|
-
|
15.3 MB
|
1900
|
114
|
TIFF (RGB)
|
Large
Medium Small |
21.5 MB
12.6 MB 6.2 MB |
1400
2300 4700 |
61
68 83 |
JPEG fine3
|
Large
Medium Small |
3.7 MB
2.8 MB 1.9 MB |
5800
8800 13500 |
200
200 200 |
JPEG normal3
|
Large
Medium Small |
2.3 MB
1.6 MB 1.1 MB |
11100
16200 24400 |
200
200 200 |
JPEG basic3
|
Large
Medium Small |
1.2 MB
0.9 MB 0.7 MB |
20300
28700 40700 |
200
200 200 |
- *Includes images taken with DX lenses when On is selected for Auto DX crop.
- 1All figures are approximate. File size varies with scene recorded.
- 2Maximum number of exposures that can be stored in memory buffer at ISO 100. Drops if optimal quality is selected for JPEG compression or auto distortion control is on.
- 3Figures assume JPEG compression is set to Size priority. Selecting optimal quality increases the file size of JPEG images; number of images and buffer capacity drop accordingly.
Approved memory cards
The camera accepts the XQD and CompactFlash memory cards listed in the following sections. Other cards have not been tested.
XQD memory cards
The following XQD memory cards have been tested and approved for use in the camera.
SONY
|
S series
|
QD-S32
|
32 GB
|
|---|---|---|---|
QD-S64
|
64 GB
| ||
H series
|
QD-H16
|
16 GB
| |
QD-H32
|
32 GB
|
CompactFlash memory cards
The following Type I CompactFlash memory cards have been tested and approved for use in the camera. Type II cards and microdrives cannot be used.
SanDisk
|
Extreme Pro
|
SDCFXP
|
16 GB, 32 GB, 64 GB, 128 GB
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Extreme
|
SDCFX
|
8 GB, 16 GB, 32 GB
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Extreme IV
|
SDCFX4
|
2 GB, 4 GB, 8 GB, 16 GB
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Extreme III
|
SDCFX3
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ultra II
|
SDCFH
|
2 GB, 4 GB, 8 GB
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Standard
|
SDCFB
|
2 GB, 4 GB
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Lexar Media
|
Professional
UDMA |
1000x
|
16 GB, 32 GB, 64 GB, 128 GB
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
600x
|
8 GB, 16 GB, 32 GB
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
400x
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
300x
|
2 GB, 4 GB, 8 GB, 16 GB
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Professional
|
233x
|
2 GB, 4 GB, 8 GB
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
133x
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
80x
|
2 GB, 4 GB
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Platinum II
|
80x
|
2 GB, 4 GB, 8 GB, 16 GB
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
60x
|
4 GB
Sample Images 1
Note: This image is taken in RAW and converted to JPEG with Capture NX 2
Sample Images 2
Note: This image is taken in RAW and converted to JPEG with Capture NX 2
Sample Images 3
Note: This image is taken in RAW and converted to JPEG with Capture NX 2
Sample Images 4
Note: This image is taken in RAW and converted to JPEG with Capture NX 2
Sample Images 5
Note: This image is taken in RAW and converted to JPEG with Capture NX 2
Sample Images 6
Note: This image is taken in RAW and converted to JPEG with Capture NX 2
|
Original data size
Original data size
Original data size
Original data size
Original data size
Original data size
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